with [[4th we begin to write again]] and [[5th early morning hours]] out of the way, we can outline what we are thinking of when writing not to a computer but to a piece of paper. 1. Pathos rather then Logos 2. Logos repeat Logos 3. Pathos lead to new experience 4. Logos is formal if x then y 5. Pathos should be followed absolutely in accordance to Logos 6. Therefore to change your mind midway is Logos not Pathos 7. The will of the agent is second to the process. 8. Words such as painting and sculpture is Logos not Pathos. 9. -10.-11.-12. ... we thus have concept that connects essence (pathos) with becoming (logos). In V-P-A we therefore have virtuality (pathos) as the future as absistance, potentiality the present as existence, and actuality as the past as subsistence. P = Ahura, V and A = Mazda therefore we have both Mazda Ahura V becomes P and Ahura Mazda P becomes A. 10. 13 - 18 Artist's mind becomes the conductor = Mazda Ahura; Conventions of art becomes in the eye's and ear's of the viewer who understand it from art of the past = Ahura Mazda these are all reinterpretation of Sol Lewitt [sentences](https://mma.pages.tufts.edu/fah188/sol_lewitt/Sentences%20on%20Conceptual%20Art.htm) on the process of creating art. from our earlier discussions it's clear that the world rather then the self is the ground for all minimalist creative acts that would be point #1 and so on.